About
Who Are We?

Francis Rappart
I studied mathematics at university before specialising in musicology, and also studied at the Lille Conservatoire, where I was awarded distinctions in recorder and chamber music. Throughout my musical career, I continued my training through courses and workshops led by distinguished choral conductors including Philippe Caillard, César Geoffray, Willy Gohl, Walter Weiler and Oriol Martorell.
A lifelong advocate of collective music-making, I have founded and directed numerous choirs, vocal ensembles and orchestras in Northern France. These include the Collegium Musicum of Lille University, the Ensemble Vocal des Flandres, the Madrigal de Lille, the Renaissance and Pierre de Manchicourt vocal ensembles, and the Chœur Variations. I also founded the Flanders Ensemble of Early Music Instruments and later the Flanders Sinfonietta Orchestra, promoting a repertoire ranging from Renaissance music to the great symphonic works.
My particular interest lies in Renaissance music. Over many years, I have transcribed and edited numerous works from original sources, seeking to combine historical and musical accuracy. Several of these editions have been published by the Cercle Musical de Paris.
Alongside my musical activities, I served from 1978 to 2002 as Technical and Educational Adviser to the Lille Regional Directorate for Youth and Sport, where I organised and supervised training courses in choral conducting, music education and repertoire studies. I also conceived and coordinated large-scale projects bringing together singers and instrumentalists to perform major works by composers such as Bach, Mozart and Mendelssohn.
I later founded and managed Musiques en Flandres, a publisher of choral music whose catalogue exceeded 600 titles. Today, in addition to my editorial work, I continue to sing French chansons accompanied by a barrel organ, sharing this rich tradition with audiences of all ages.

Catherine Gouy
I began learning the piano at the age of 6.
Aged 10, I joined my school choir under the direction of Hélène Gevaert. The choir achieved notable success, winning several competitions and recording two EPs.
After a break, I returned to choral singing in 1995, performing with a variety of amateur choirs in France and the United Kingdom. During this time, I also took part in intensive "singing weeks" - Autun, Vaison-la-Romaine, Sylvanès, Loughborough, St Andrews and Linz - working under the guidance of distinguished conductors including László Heltay, Pierre Cao, Josep Prat and Jean-François Sénart.
In 1996, I joined the choir Renaissance, directed by Francis Rappart. In partnership with singers from the Ensemble Pierre de Manchicourt, the group toured Morocco in April 1997.
After settling permanently in England, I became a member of the Schola Cantorum of Lewes directed by Andrew Robinson; we recorded a CD in 2013.
In 2017, I participated in a collaboration between the Brighton Early Music Festival community choir and the Spanish professional medieval ensemble Resonet, performing extracts from a restored 13th-century breviary in La Charité-sur-Loire.
Alongside my musical activities, I have developed extensive professional experience in administration, with particular expertise in word processing—skills that underpin my work with Chanteclair Editions.

Our aim
“We aim to share the joy of singing early music with the modern world.”
Discover the editions
Image: The Ghent Altarpiece, panel The Singing Angels, by Jan van Eyck & Hubert van Eyck; collection Sint-Baafskathedraal Gent, artinflanders.be, photo: Hugo Maertens, License Contractuele beperkingen.